Frontiers in Psychology 01 frontiersin.org
Implementing EMI in Chinese
music classes: Students’ perceived
benefits and challenges
PengchengSu             
1
and JiayinKong           
2
*
1
School of Liberal Arts, Metharath University, Pathum Thani, Thailand,
2
Faculty of Education,
Pathumthani University, Pathum Thani, Thailand
Recognizing the opportunities and problems of using English as a medium of
instruction (EMI) enables teachers, students, and educational administrators
to capitalize on the opportunities and mitigate the problems. Considering this,
many researchers worldwide have explored the opportunities and problems
of EMI courses. Yet, the advantages and disadvantages of implementing EMI
in Chinese academic contexts have rarely been investigated. To fill this gap,
the present research evaluated the benefits and challenges of implementing
EMI in Chinese music classes. To accomplish this, a researcher-made scale
was distributed among 74 Chinese music students. The thematic analysis of
participants’ responses revealed that using English as a means of teaching and
learning benefited Chinese music students in some ways. However, as the results
of the thematic analysis indicated, Chinese music students experienced some
serious challenges in EMI courses because of their limited English proficiency.
Finally, the limitations, pedagogical implications, and future research directions
are thoroughly explained.
KEYWORDS
English as a medium of instruction (EMI), benefits, challenges, English literacy, Chinese
students, music classes
Introduction
In the past 10 years, with the globalization of education, an increasing number of Chinese
students majoring in music have decided to go abroad for their further study (Lin and Lei, 2021).
However, due to their limited English prociency, they commonly experience various linguistic
diculties in non-Chinese educational settings where course content is mostly delivered in
English (Fu and Wang, 2022). To improve Chinese students’ English prociency, several music
institutes in China have started using English as the medium of instruction (EMI). e
penetration of the EMI phenomenon in all educational settings, including music classes, signals
a rapid change from learning English as a foreign or second language to learning dierent
academic subjects through English (Aizawa and Rose, 2020). EMI, as Macaro (2018) mentioned,
has to do with “the use of the English language to teach academic subjects (other than English)
in countries where the rst language of the majority of the population is not English” (p.19).
Accordingly, the main goal of an EMI course is content learning, although language acquisition
may bethe implied purpose (Hu and Li, 2017). In EMI courses, the delivery of academic content,
appraisal of learning outcomes, and group discussions are all conducted in English (Xu, 2017;
Macaro etal., 2018; Macaro, 2019; Derakhshan, 2021).
Using English as the means of teaching and learning in Chinese music institutes is likely to
bring some serious challenges for students since they typically attend EMI courses with limited
OPEN ACCESS
EDITED BY
Yaqiong Cui,
University of Chinese Academy of Sciences,
China
REVIEWED BY
Farzaneh Shakki,
Golestan University,
Iran
Omar Alomoush,
Tafila Technical University,
Jordan
Berrington Ntombela,
University of Limpopo,
SouthAfrica
*CORRESPONDENCE
Jiayin Kong
SPECIALTY SECTION
This article was submitted to
Educational Psychology,
a section of the journal
Frontiers in Psychology
RECEIVED 01 November 2022
ACCEPTED 24 February 2023
PUBLISHED 14 March 2023
CITATION
Su P and Kong J (2023) Implementing EMI in
Chinese music classes: Students’ perceived
benefits and challenges.
Front. Psychol. 14:1086392.
doi: 10.3389/fpsyg.2023.1086392
COPYRIGHT
© 2023 Su and Kong. This is an open-access
article distributed under the terms of the
Creative Commons Attribution License (CC BY).
The use, distribution or reproduction in other
forums is permitted, provided the original
author(s) and the copyright owner(s) are
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academic practice. No use, distribution or
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comply with these terms.
TYPE Original Research
PUBLISHED 14 March 2023
DOI 10.3389/fpsyg.2023.1086392
Su and Kong 10.3389/fpsyg.2023.1086392
Frontiers in Psychology 02 frontiersin.org
English prociency (Yang, 2017; Jiang etal., 2019; Hu and Wu, 2020).
However, the implementation of EMI in these institutes may provide
students with some precious opportunities as well (Zhao and Dixon,
2017; Curle and Derakhshan, 2021). Among them, one can refer to
increased English prociency and enhanced learning motivation as
the most prominent advantages of EMI classrooms (Lei and Hu, 2014;
Rose etal., 2020). As put forward by many educational researchers
(Tong and Tang, 2017; Jiang and Zhang, 2019; Curle etal., 2020),
knowing the benets and challenges of using English as a means of
education is critical in that it helps teachers and administrators
improve the quality and eciency of EMI classes. us, to enhance
the eciency of EMI courses in Chinese music institutes, their
potential challenges and opportunities should beidentied.
Given that understanding the challenges and opportunities of
EMI courses improves their quality (Walkinshaw etal., 2017; Wei
et al., 2017), many academics and researchers worldwide have
investigated the advantages and disadvantages of implementing EMI
in higher educational contexts (e.g., Bradford, 2016; Martínez, 2016;
Cankaya, 2017; Kim, 2017; Kim etal., 2018; Phuong and Nguyen,
2019; Aizawa and McKinley, 2020; Toh, 2020; Diezmas and Barrera,
2021; Kamaşak etal., 2021; Soruç etal., 2021; Ter-Vardanyan, 2021;
Wang and Derakhshan, 2023, to cite a few). Moreover, some scholars
have particularly scrutinized the advantages and disadvantages of
implementing EMI in Chinese academic settings (e.g., Yang etal.,
2019; Pun and omas, 2020; Pun and Jin, 2021; Zhou etal., 2022,
among others). However, to the best of the scholars’ knowledge, no
empirical study has been undertaken to identify the opportunities and
challenges of executing EMI in Chinese art and music classes. Against
this backdrop, the current qualitative study intends to uncover the
opportunities and challenges that Chinese music students typically
experience in EMI courses.
Literature review
English as the medium of instruction is a subset of content and
language integrated learning (CLIL), which pertains to teaching
academic subjects such as art, geography, history, and science through
a foreign language (Dalton, 2011; Harrop, 2012). Simply said, CLIL is
a pedagogical approach through which students learn the course
content and a new language at the same time (Arnó-Macià and
Mancho-Barés, 2015; Morton, 2018). In light of CLILs denition,
Macaro (2018) dened EMI as the employment of the English
language to instruct various academic subjects in regions where
English is not the mother tongue (L1) of the majority of the
population. In a similar vein, the “Japanese Ministry of Education,
Culture, Sports, Science and Technology (MEXT)” conceptualized
EMI as “courses conducted entirely in English, excluding those whose
primary purpose is language education” (Rose etal., 2020, p.2,150).
As noted by Nguyen et al. (2017), implementing EMI in
educational environments may entail some important challenges
and opportunities for both teachers and students, which need to
bediscovered. In this respect, several researchers have explored
the problems and benefits of implementing EMI in different
academic contexts, notably higher education contexts (e.g.,
Goodman, 2014; Hu, 2019; Phuong and Nguyen, 2019; Yang
etal., 2019; Aizawa and McKinley, 2020; Drljaca and Vodopija-
Krstanovic, 2020; Pun and Thomas, 2020; Toh, 2020; Derakhshan
etal., 2021; Kamaşak etal., 2021; Pun and Jin, 2021; Soruç etal.,
2021; Ter-Vardanyan, 2021; Zare and Derakhshan, 2021; Jones
etal., 2022; Zhou etal., 2022, among others). As to the challenges
of EMI classes, Yang etal. (2019), for instance, examined the
challenges of implementing EMI in medical courses in China.
Using surveys and group discussions, the researchers found that
implementing EMI in Chinese medical courses brings four
important challenges for teachers and students, namely
unsatisfactory instruction, inappropriate instructional materials,
limited classroom interactions, and teachers’ inability to instruct
medical humanities. In a similar vein, Pun and Thomas (2020)
explored the challenges and problems of executing EMI in
different schools in Hong Kong. To do so, 19 teachers instructing
chemistry, biology, and physics through English were interviewed.
The analysis of participants’ answers revealed that executing EMI
in Chinese schools brings various linguistic challenges (e.g.,
inability to teach and illustrate scientific ideas in English,
inability to offer corrective feedback in English, etc.) for teachers.
Later, in a quantitative inquiry, Kamaşak etal. (2021) investigated
the language-related problems that Turkish university students
face in EMI classes. To accomplish this, some online
questionnaires were administered to 498 Turkish undergraduate
students. The results demonstrated that speaking and writing
were the most challenging skills for Turkish students.
Besides, as to the benefits and opportunities of EMI classes,
Phuong and Nguyen (2019) examined Vietnamese students’
perceptions regarding the advantages of implementing EMI in
business and information technology classes. To do this, a
researcher-made questionnaire was distributed among 136
Vietnamese students majoring in business and information
technology. The results showed that teaching course content in
English considerably improves the English literacy of students,
makes them more active and outgoing, and helps them find
learning materials written in English. By the same token,
Derakhshan etal. (2021) studied the advantages and opportunities
of implementing EMI courses in Iran. In doing so, 24 EMI
students and instructors of different nationalities were asked to
complete an open-ended scale. Participants’ responses to the
open-ended scale were analyzed using content analysis (CA). The
analysis of responses resulted in some important themes,
including “more access to specialized sources,” “more chances to
improve English proficiency,” and “higher chance of continuing
education abroad.
Despite such attempts (e.g., Phuong and Nguyen, 2019; Yang etal.,
2019; Pun and omas, 2020; Derakhshan etal., 2021; Graham and
Eslami, 2021; Kamaşak etal., 2021; Gao etal., 2022; Wang, 2023), the
advantages and disadvantages of executing EMI in Asian countries,
including China, are not widely known. Put dierently, a limited
number of investigations have been undertaken to uncover the
opportunities and challenges that Asian students experience in EMI
courses. Considering this, the present inquiry sought to assess the
benets and challenges of implementing EMI in Chinese music
classes. To do so, the following research questions were formulated:
What are the Chinese music students’ perceptions towards the
opportunities/benets of the EMI courses?
What are the Chinese music students’ perceptions towards the
challenges/problems of the EMI courses?
Su and Kong 10.3389/fpsyg.2023.1086392
Frontiers in Psychology 03 frontiersin.org
Methods
Participants
rough the opportunity sampling strategy, also called
convenience sampling, 74 music students were recruited from
dierent classes at a private music institute in China. As noted by
Dörnyei and Csizér (2012), the opportunity sampling strategy is a
subset of non-probability sampling methods through which “members
of the target population are selected only if they meet certain practical
criteria, such as geographical proximity, availability at a certain time,
or easy accessibility” (p.82). In order to enhance the representativeness
of the outcomes (Nassaji, 2020), the participants were selected from
dierent age groups, gender (male and female), and educational levels
(freshman, sophomore, junior, and senior). All students were assured
that their personal data would bekept strictly condential.
Instrument
An open-ended scale (Appendix A) with two separate parts was
used to nd out the benets and challenges of implementing EMI in
Chinese music classes. Given the adequate English prociency of
participants, the questionnaires’ items were written in English. In the
rst part, participants were invited to enter their personal information,
including age, gender, nationality, and level of education. In the second
part, they were asked to respond to ve open-ended questions
regarding the implementation of EMI courses in Chinese music classes.
Open-ended scales are commonly preferred to other data-gathering
instruments as “they are easier to administer (notably when conducted
online), oer more time to participants to ll out the questionnaires,
and do not need to betranscribed” (Friedman, 2012, p.189).
Prior to being distributed among participants, the open-ended
scale was administered to seven non-participants. In light of the
piloting outcomes, all items of the open-ended questionnaire were
revised. e questionnaire items were then rigorously reviewed by ve
specialists who published several papers on EMI classes and their
relevant issues. ey checked the questionnaire items in terms of form
and language. e nal version of the open-ended questionnaire was
produced with their sensible remarks in mind.
Data collection procedure
At the very beginning, the E-version of the consent form was
delivered to participants via WeChat messenger. Having received the
written agreements, the researcher-made questionnaire was sent to
participants. To receive more accurate responses (Rolfe, 2006), the
participants received some brief explanations regarding the
completion of the questionnaire. All surveys were answered in English
and returned within a week.
Data analysis
e responses of Chinese music students to the open-ended scale
were thematically analyzed using the last version of MAXQDA
soware (Version 2022). e rationale of employing MAXQDA
soware in this research was that “using a Computer-Assisted
Qualitative Data Analysis Soware (CAQDAS) can improve the
credibility of the coding process” (Baralt, 2012, p.228). To do so, the
Gao and Zhang (2020) thematic analysis approach, which consists of
ve major phases, was used. To enhance the credibility of the extracted
themes, all phases of this approach were simultaneously implemented
by two analysts (the researcher and one of his colleagues). First, in the
cleaning stage, the analysts looked through the gathered answers to
locate and remove duplicates or irrelevant items. Following that, in the
coding phase, they generated some tentative codes by rereading the
collected answers. en, in the phase of generating themes, the
analysts grouped the tentative codes into some meaningful themes. As
a result, two overarching themes and 12 sub-themes were generated
(see Figures1 and 2). Subsequently, in the categorization stage, the
produced themes and sub-themes were categorized into higher-order
umbrella terms. In the nal stage of thematic analysis, producing the
report, a summary of the whole process was prepared by the analysts.
As pinpointed by Birt etal. (2016),member checking enhances the
FIGURE1
Benefits of implementing English as a medium of instruction (EMI) in Chinese music classes (the thicker the line, the more recurrent the theme).
Su and Kong 10.3389/fpsyg.2023.1086392
Frontiers in Psychology 04 frontiersin.org
trustworthiness of qualitative ndings” (p.1,803). Because of this,
some of the participants were invited to check the relevance and
accuracy of the produced themes and subthemes. Having assessed the
accuracy of the produced themes and subthemes, the agreement
between the two analysts was computed using Krippendor s alpha.
e Krippendors alpha (α) was measured to be0.97.
Findings
e outcomes of the current study illustrate the major benets and
challenges of implementing EMI in Chinese music classes.
Accordingly, Chinese music students’ perceptions towards EMI
implementation were grouped under two overarching patterns: (І) the
benets of implementing EMI in Chinese music classes and (П) the
challenges of implementing EMI in Chinese music classes.
i. Benets of Implementing EMI in Chinese Music Classes.
e participants were initially asked about the benets of executing
EMI in Chinese music classes. e examination of their answers
resulted in six themes, including improving students’ English literacy,
enhancing students’ academic interest, familiarizing students with other
cultures, expanding students’ English vocabulary, improving students
knowledge of music, and making students more energetic (Figure1).
As demonstrated in Figure1, the most frequent benet mentioned
by Chinese music students was that EMI courses signicantly improve
their English literacy. In fact, most of the participants believed that
EMI courses help music students improve their English language
skills, including reading, writing, listening, and speaking. For instance,
some of the Chinese music students articulated that,
Participant 3: I can practice speaking English when I answer
questions in the process of learning.
Participant 7: Learning music through English can raise our
English prociency level.
Participant 13: To me, the most important advantage of EMI
courses is that teaching course content through English improves
students’ basic knowledge of English.
Participant 18: I think using English as the means of instruction
can considerably enhance my English abilities.
Participant 21: I can improve my English language abilities while
learning the course content.
Another benet of EMI classes noted by the majority of
participants was that using English in music classes can increase the
academic interest of students. ey mentioned that learning a new
language while mastering the course content can make students more
enthusiastic and passionate about the learning process. To illustrate,
Participant 24: Using English as a medium of instruction makes us
more interested in learning music.
Participant 29: Learning course content through English can
stimulate students’ academic interest.
Participant 31: Using EMI in music classes can cultivate students
moral sentiments and stimulate their interest in learning.
Participant 43: Learning a new language makes EMI students
more passionate about the learning process.
As for the third benet of EMI courses, participants referred to
the role of EMI in familiarizing students with other cultures. e
following statements clearly represent this advantage of EMI classes:
Participant 4: rough learning music in English, wecan get in
touch with some western cultures and broaden our horizons.
Participant 6: Teaching and learning course content through
English enables us to become familiar with the culture of English-
speaking countries.
Participant 14: EMI classes help students have a better grasp of the
cultural values of other nations.
As to the other benets of implementing EMI in music classes,
participants mentioned the pivotal role of EMI in expanding students’
FIGURE2
Challenges of implementing English as a medium of instruction (EMI) in Chinese music classes (the thicker the line, the more recurrent the theme).
Su and Kong 10.3389/fpsyg.2023.1086392
Frontiers in Psychology 05 frontiersin.org
English vocabulary, improving students’ knowledge of music, and
making students more energetic. e following sentences illustrate
these benets, respectively:
Participant 27: Using English in music classes is of great help to
students to increase their knowledge of English vocabulary.
Participant 33: It can also improve my understanding of various
aspects of music knowledge.
Participant 41: Learning music and a new language concurrently
may make students more energetic.
ii. Challenges of Implementing EMI in Chinese Music Classes.
The participants were then questioned about the challenges
and problems of implementing EMI in Chinese music courses.
The evaluation of their responses culminated in six
themes, including more difficulty in comprehending course
content, limited interactions between teachers and students, higher
turnover intention among students, limited interactions among
students, low classroom engagement, and low academic confidence
(Figure2).
e most recurrent theme mentioned by Chinese students as the
challenge of employing English in music classes is students’ diculty
in comprehending course content. Most of the participants maintained
that teaching the academic subjects through English makes it dicult
for students to understand the course content. is challenge is
illustrated by the excerpts below:
Participant 12: A disadvantage of using English in music courses is
that students with poor English prociency cannot fully understand
the learning content.
Participant 15: Students who do not have a good command of
English cannot easily comprehend the course content and keep up
with the pace of the class.
Participant 51: Students can hardly understand the content of
the classroom.
Participant 63: Almost all students struggle to comprehend the
teachers’ instructions.
Many students also mentioned limited classroom interactions as
another serious challenge they typically experience in EMI courses.
ey noted that due to low English literacy, they are unable to
eectively communicate with their teachers. e following excerpts
can help to clarify the issue:
Participant 50: Some students are slow to react and can’t eectively
communicate with their teachers.
Participant 59: Due to limited English prociency, students are
unable to easily interact with their instructors.
Participant 68: It is burdensome for music students to interact with
their teachers in English.
Concerning the third challenge of EMI classes, participants
mentioned the direct impact of these courses on students’ turnover
intention. To illustrate,
Participant 20: Using English as a medium of teaching leads
students to leave the music classes.
Participant 28: Teaching academic subjects through English may
discourage students from continuing the learning process.
Participant 73: Using English to teach music prompts students to
leave the classes.
Other signicant issues raised by music students about EMI
courses include limited student interaction, low classroom
engagement, and low academic condence. ese issues are presented
in the following statements, respectively:
Participant 17: Most of the music students struggle to communicate
with each other through English.
Participant 66: Due to limited English literacy, students are
reluctant to engage in classroom activities.
Participant 74: Poor English prociency gradually decreases
students’ self-condence in academic settings.
Discussion
e current qualitative study was designed to uncover the benets
and challenges of implementing EMI in Chinese music classes. Simply
said, it aimed to illustrate how EMI classes are advantageous and
disadvantageous for Chinese music students. As to the benets or
advantages of EMI courses, the outcomes of the thematic analysis
revealed that the benets of using English in Chinese music classes can
begrouped into six unique themes: improving students’ English literacy,
enhancing students’ academic interest, familiarizing students with other
cultures, expanding students’ English vocabulary, improving students
knowledge of music, and making students more energetic. As shown in
Figure1, most of the music students asserted that executing EMI in
their classes enables them to improve their English literacy. is
outcome can bereadily explained by the fact that the constant use of a
language will considerably improve the speaking, writing, reading, and
listening abilities. is nding accords with Phuong and Nguyens
(2019) outcomes, which indicated that instructing academic subjects
through English results in increased English literacy. Moreover, many
participants perceived increased academic interest to beone of the
undeniable benets of EMI courses. According to them, learning a new
language can dramatically increase students’ interest in academic
settings. is nding contradicts Yang etal.s (2019) outcomes, which
indicated that EMI students’ academic interests gradually decrease due
to the unsatisfactory instruction. Furthermore, as the third important
benet of EMI classes, several participants referred to the role of EMI
in familiarizing students with other cultures. ey noted that studying
academic subjects in English enables them to become familiar with the
culture of English-speaking countries. It may bejustied by the fact
Su and Kong 10.3389/fpsyg.2023.1086392
Frontiers in Psychology 06 frontiersin.org
that cultural norms and values are the inseparable parts of a language
(Kramsch, 2014; Sharian, 2015; Yu, 2020). It implies that “those who
truly learn a new language can enter into the cultural atmosphere in
which that language exists” (Mazari and Derraz, 2015, p. 353).
Additionally, some of the participants highlighted the crucial functions
of EMI in expanding students’ English vocabulary, improving students
academic knowledge, and activating students. ese outcomes are
consistent with those of some previous investigations (Goodman, 2014;
Phuong and Nguyen, 2019; Drljaca and Vodopija-Krstanovic, 2020).
Likewise, as the ndings of the thematic analysis demonstrated, the
challenges of employing English in Chinese music classes can also
bedivided into six distinct themes: more diculty in comprehending
course content, limited interactions between teachers and students, higher
turnover intention among students, limited interactions among students,
low classroom engagement, and low academic condence. It is worth
noting that all the aforementioned challenges have something to do
with EMI students’ limited English literacy. Regarding the rst
challenge, most students stated that using English as a means of
instruction causes some serious problems for students in understanding
the course content. It may bebecause students commonly attend EMI
classes with limited English literacy. is outcome resonates with Pun
and omas’ (2020) ndings, which showed that EMI students oen
struggle with some serious linguistic challenges due to poor English
language literacy. is nding also seems to beconsistent with that of
Kamaşak etal. (2021), who discovered that EMI students cannot easily
understand classroom instructions as they do not have a good
command of English. Concerning the second challenge, many
participants articulated that using English as a medium of education
reduces classroom interactions between students and teachers. is is
in line with Ter-Vardanyans outcomes Ter-Vardanyan (2021), which
revealed that EMI students are less likely to communicate with their
teachers. As to the third challenge, many participants asserted that
using English in music classes can dramatically increase the rate of
turnover among students. is may be due to the unsatisfactory
instruction that students receive in EMI courses. is outcome
corroborates Yang etal.s (2019) ndings, which elucidated that EMI
courses are commonly challenging for students due to the unsatisfactory
and inappropriate instructions they receive in these courses. Regarding
the rest of the problems of EMI classes, some of the Chinese music
students mentioned that the employment of English in music classes
causes limited interactions among students, low classroom engagement,
and decreased academic condence. It seems encouraging to compare
these challenges with those reported in some previous studies (Aizawa
and McKinley, 2020; Toh, 2020; Pun and Jin, 2021).
It should be mentioned that the outcomes of the current
investigation are subject to three signicant limitations. e most
signicant limitation lies in the fact that the present study’s data was
gathered from a limited number of participants. As the inclusion of
more participants can drastically increase the generalizability of the
ndings, future researchers are advised to perform their investigations
with a large sample of EMI students. Another important limitation is
that a pure qualitative method was adopted to carry out this research.
To achieve more credible and comprehensive outcomes, mixed-method
research is highly recommended. e last limitation of this study is that
teachers’ views on EMI courses were disregarded. Put simply, only
students were questioned about the benets and challenges of EMI
classes. Investigating EMI teachers’ viewpoints would help us to get a
wider picture of the benets and challenges of EMI classes. Future
investigations should therefore concentrate on EMI teachers’ viewpoints.
Conclusion and pedagogical
implications
e current qualitative research was carried out with the aim of
discovering the benets and challenges of implementing EMI in
Chinese music classes. As the outcomes of the thematic analysis
revealed, improving students’ English literacy, enhancing students
academic interests, and familiarizing students with other cultures were
found to bethe most important benets of EMI courses. Moreover,
diculty in comprehending course content, limited interactions
between teachers and students, and higher turnover intention among
students were identied as the most serious challenges of EMI classes.
With respect to the benets and challenges raised by Chinese music
students, it is possible to infer that EMI classes will beproblematic and
challenging only for those students who do not have a good command
of English. us, the level of students’ English prociency is highly
critical in EMI courses. e outcomes of this inquiry appear to
beenlightening and useful for those who are involved in Chinese EMI
classes, including EMI teachers and students. It is because being aware
of the potential challenges and benets of EMI classes enables EMI
teachers and students to make use of opportunities and minimize
existing problems. Given the pivotal role that students’ English
prociency plays in EMI classes, students are required to read English
books, listen to English podcasts, and attend English language classes in
order to improve their English prociency. In this respect, teachers are
also expected to introduce some useful English resources to their
students. In addition, the ndings of this investigation may
beilluminating for Chinese educational administrators and managers
as well. e present study’s ndings may help them capitalize on the
signicant opportunities of EMI classes and overcome the serious
challenges of implementing EMI in Chinese music institutes.
Data availability statement
e raw data supporting the conclusions of this article will
bemade available by the authors, without undue reservation.
Ethics statement
e studies involving human participants were reviewed and
approved by Shinawatra University Ethics Committee. e patients/
participants provided their written informed consent to participate in
this study.
Author contributions
PS collected and analyzed the data and wrote the rst dra of the
manuscript. PS and JK reviewed and revised the manuscript. All
authors contributed to the article and approved the submitted version.
Conflict of interest
e authors declare that the research was conducted in the
absence of any commercial or nancial relationships that could
beconstrued as a potential conict of interest.
Su and Kong 10.3389/fpsyg.2023.1086392
Frontiers in Psychology 07 frontiersin.org
Publisher’s note
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authors and do not necessarily represent those of their affiliated
organizations, or those of the publisher, the editors and the
reviewers. Any product that may be evaluated in this article, or
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Appendix A
Open-ended scale
A Demographic information
Gender:
Male.
Female.
Others (please specify).
Prefer not to specify.
If your answer to the above question is “Others,” it is optional to specify your gender here.
Nationality:
Age:
Level of Education:
B Questions
1. What courses are youcurrently learning through English?
Did youchoose to learn these courses?
If yes, why did youchoose these English Medium courses?
2. What do youthink are the advantages of using English in music classes?
3. What do youthink are the disadvantages of using English in music classes?
4. Do youhave any diculties when youlearn courses in English?
5. Do youhave any further comments on the growing trend of English as a Medium of Instruction in China?